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It's a very rare film - it speaks of a very profound love," she says. "And the response we've had has been overwhelming - I think people are hungry for these kinds of stories." Film critics now believe the race for awards glory is between Moonlight, Damien Chazelle's musical La La Land and Manchester By The Sea by Kenneth Lonergan. "You always hope to be part of endeavours that resonate with audiences," Mahershala Ali says. "But you don't want it to reflect how you approach the work. "It's just humbling being part of the conversation, especially after a much-needed shake up in the industry about people of colour," he continues. "But I want the film to be rewarded on it own merits, not because it's a film of diversity. As an African American, you just want to see projects go ahead that have 'other' faces in them with the potential to stand up against any film. "You know, we had this same conversation a few years ago when the film Precious came out, about change. I hope it's a wake up call, because I know a lot of wonderful directors and writers who didn't get their films made because they didn't fit the type." Image copyright David Bornfriend Barry Jenkins's last film, 2008's Medicine for Melancholy, about African Americans struggling to fit in to the hipster scene of San Francisco, also featured themes of being an outsider in a community.

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